Showing posts with label 3. Show all posts
Showing posts with label 3. Show all posts

Tuesday, May 15, 2012

Eddie Money - "Playing for Keeps" (1980) & "Can't Hold Back" (1986)

       

Rating: and 4

I didn't think I had anything interesting to say about one Eddie Money album, so why not review two at once! Even better for this sort of premise, allmusic.com gave 1980's Playing for Keeps 2 stars but gave 1986's Can't Hold Back 4.5 stars, which potentially makes for an interesting compare and contrast exercise. Was Money really that much more successful with his 1986 effort than his 1980 effort? And if so, why?

Wait for it.

Wait for it.

No, of course not. Both albums suck. 

Okay, Can't Hold Back is definitely better. On Playing for Keeps, Money attempts to cast himself as a straight-up classic rocker, but his music lacks any of the elements that make good classic rock successful, and winds up boring and faceless. Eddie's voice is like Rod Stewart's without the rasp. In other words, it's not really much like anything at all. 

On Can't Hold Back, Mr. Money (or perhaps his production team) conceded that he was really in this for radio success, added keyboards and horns, more melodic choruses, and the result was his most famous single ("Take Me Home Tonight") as well as renewed commercial success. I could almost be convinced that this is a good album, because I can't deny that the songs have hooks, and it's surprisingly consistent. And then Money's lifeless vocals remind me that there is really no reason to listen to even Can't Hold Back, presumably his best, more than once. Blue bin for all! 

Wednesday, April 18, 2012

Bette Midler - "Beaches (Soundtrack)" (1988)



Rating: 3

I probably am not comfortable enough with myself to keep this album even if I did like it. Fortunately, I don't! In fairness, I don't really know much about the movie for which this is the soundtrack, but the album consists of Bette Midler singing a mix of old standards and dated adult contemporary ballads. The most famous song here is "Wind Beneath My Wings," which is the best song Diane Warren never wrote. It has a nice melody, though. Unsurprisingly, the old songs fare better as they have more stripped-down arrangements, the exception being a horrid cover of "Under the Boardwalk," which is of course the first song on the album. But ultimately, there's not a lot to say about this record, and even if it was all covers of old standards, there wouldn't be much point to keep it around. Blue bin!